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"The author lays the idea on the marble table of the cafe. Lengthy observation, for he makes use of the time before the arrival of his glass, the lens through which he examines the patient. Then, deliberately, he unpacks his instruments: fountain pens, pencil, and pipe. The numerous clientele, arranged as in an amphitheater, make up his clinical audience. Coffee, carefully poured and consumed, puts the idea under chloroform. What this idea may be has no more connection with the matter at hand than the dream of an anaesthetized patient has with the surgical intervention. With the cautious lineaments of handwriting, the operator makes incisions, displaces internal accents, cauterizes proliferations of words, inserts a foreign term as a silver rib. At last, the whole is finely stitched together with punctuation and he pays the waiter, his assistant, in cash."
-- Walter Benjamin, from One-Way Street
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